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Ankündigung eine umfangreiche Beschreibung Deep Blue Sea unten:
- Originaltitel : Deep Blue Sea
- Filmtitel in Ihrem Land : Deep Blue Sea
- Jahr der Film : 1999
- Genres des Films : Action, Science Fiction, Thriller,
- Status-Film : Released
- Ver�ffentlichungsdatum : 1999-07-28
- Die Unternehmen der Film : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- L�nder Film : Australia, United States of America,
- Sprache des Films : English,
- Durasi Of film : 105 Min
- Stimme durchschnittlich : 5.6
- Youtube ID des Films : gpdab_bi2HY
- �bersetzung von Film : PL,EN,RO,RU,FR,SV,ES,JA,PT,CS,DA,UK,HE,PT,EL,TR,CA,DE,IT,NL,ZH,HU,KO,BG,ES,
- Filmbesetzung :Frank Welker (Parrot Noises (voice)), Thomas Jane (Carter Blake), Eyal Podell (Boy #1), Michael Rapaport (Tom "Scoggs" Scoggins), Samuel L. Jackson (Russell Franklin), Saffron Burrows (Dr. Susan McCallister), Daniel Rey (Helicopter Pilot), Sabrina Geerinckx (Girl #2), LL Cool J (Sherman 'Preacher' Dudley), Stellan Skarsgård (Jim Whitlock), Cristos (Boat Captain), Aida Turturro (Brenda Kerns), Brent Roam (Helicopter Winch Operator), Valente Rodriguez (Helicopter Co-Pilot), Jacqueline McKenzie (Janice Higgins), Erinn Bartlett (Girl #1), Tajsha Thomas (Friend of Janice), Dan Thiel (Boy #2)
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Deep Blue Sea die richtige film produziert von Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, unter Verwendung einer Beschreibung des Films "Mitten im Atlantik haben amerikanische Wissenschaftler das Unterwasserlabor “Aquatica” eingerichtet, wo sie medizinische Experimente mit genmanipulierten Haien durchführen. Doch plötzlich entwickeln die Versuchstiere beunruhigende Eigenschaften: Sie werden immer größer, immer intelligenter und immer boshafter. Als ein gewaltiger Sturm über die künstliche Insel hereinbricht, gelingt es den Haien, sich zu befreien. Für die Wissenschaftler beginnt eine Jagd auf Leben und Tod.". Der Film wurde mit hervorragenden grafischen Qualit�t hergestellt, beste Klangqualität und feinsten mit Schauspielern.
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Art Direction : Andrew Rothschild, Utility Stunts : Joey Box, Associate Producer : Thomas J. Mack, Special Effects Coordinator : Sergio Jara, Sculptor : Jim McPherson, Special Effects Supervisor : John Richardson, Dialogue Editor : John F. Reynolds, Orchestrator : Tom Calderaro, Director : Renny Harlin, Foley : Catherine Harper, Set Costumer : Carrie Bauer, Visual Effects Supervisor : Rebecca Marie, Assistant Director : Thomas J. Mack, Supervising Art Director : Bruce Crone, Sound Recordist : Rick Hromadka, Visual Effects Producer : Kristen Branan, Camera Operator : Guillermo Rosas, Video Assist Operator : Jeff Burrage, Art Direction : Héctor Romero, Co-Producer : Rebecca Spikings, Producer : Don MacBain, Production Design : Joseph Bennett, Visual Effects Editor : Lincoln Kupchak, Set Production Assistant : Jose Jimenez, CG Supervisor : John E. Sasaki, Sound Effects Editor : Andrew Somers, CGI Supervisor : Serge Sretschinsky, Visual Effects Coordinator : Jack Geist, Dialogue Editor : Patrick J. Foley, Unit Manager : Rafael Cuervo, Construction Foreman : William Apperson, Production Manager : Anthony Franco, Visual Effects Supervisor : Jeffrey A. Okun, Supervising Art Director : Mark W. Mansbridge, Assistant Art Director : David Sandefur, Steadicam Operator : Mark Emery Moore, Supervising Sound Editor : Robb Wilson, Visual Effects Producer : Thomas Boland, Second Unit Cinematographer : Gary Capo, Visual Effects Editor : Kevin Clark, Location Manager : Michael John Meehan, Visual Effects Editor : Steve Shaw, Foley : Kevin Bartnof, First Assistant Camera : Frank Flick, Projection : Tom Ajar, Screenplay : Donna Powers, Set Designer : Bill Taliaferro, Underwater Camera : Pete Romano, Additional Music : Michael Jay, Set Designer : Karl J. Martin, Associate Producer : Patrick Lynn, Script Supervisor : Kelly Moon, Unit Production Manager : Todd Arnow, CG Supervisor : Douglas R. MacMillan, Costume Supervisor : James W. Tyson, Casting Associate : Cassandra Kulukundis, Sound Re-Recording Mixer : John T. Reitz, Color Timer : Dale E. Grahn, Visual Effects Supervisor : William Mesa, Production Supervisor : Anna Roth, Producer : Alan Riche, Music Editor : Dick Bernstein, Animation : Julie Nelson, Costume Design : Mark Bridges, Transportation Coordinator : Russell McEntyre, Production Design : William Sandell, Rigging Grip : Jonas Juhanson, Visual Effects Producer : Scott Dougherty, Assistant Art Director : Nick Navarro, Visual Effects Editor : Mark Eggenweiler, Producer : Tony Ludwig, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Camera Operator : Gregory J. Schmidt, Script Supervisor : Portia Tickell, Camera Operator : Phil Pastuhov, Supervising Sound Editor : J. Paul Huntsman, Property Master : Jerry Moss, Visual Effects : Joshua I. Kolden, Sound Effects Editor : Jayme S. Parker, Original Music Composer : Trevor Rabin, Stunts : Lesley Aletter, Executive Producer : Duncan Henderson, Set Decoration : Debra Echard, Best Boy Electric : R. Gern Trowbridge, Boom Operator : Todd Bassman, Sound Effects Editor : Adam Johnston, Music Editor : Will Kaplan, Executive In Charge Of Production : Mark Scoon, Gaffer : Mick Morris, Property Master : Eric J. Bates, Additional Editing : Kevin Stitt, Construction Coordinator : Gary Deaton, Lighting Technician : Bruce Sharp, Animation : Constance Bracewell, Set Designer : Javier Nava, Executive Producer : Bruce Berman, Assistant Art Director : Ligia Ornelas, Production Office Assistant : Jason D. McGatlin, Director of Photography : Stephen F. Windon, Digital Compositors : John Rauh, Visual Effects Supervisor : Jamie Dixon, Key Hair Stylist : Peter Tothpal, Editor : Dallas Puett, Visual Effects Producer : Heather Smith, Driver : Rick Kelleher, Production Illustrator : Harald Belker, Visual Effects Supervisor : Jerry Pooler, Camera Operator : Leo J. Napolitano, Hairstylist : Robert L. Stevenson, Grip : Gustavo Covarrubias, ADR & Dubbing : Hugh Waddell, Casting : Christine Sheaks, Assistant Costume Designer : Karla Stevens Flanigan, Unit Publicist : Peter J. Silbermann, Additional Camera : Frederick Iannone, Makeup Artist : Allan A. Apone, Assistant Sound Editor : Catherine Calleson, Visual Effects Supervisor : Craig A. Mumma, Production Office Coordinator : Francis Meade Warner, Prosthetic Makeup Artist : Chad Atkinson, Animation Supervisor : Ken Stranahan, Set Dressing Artist : Chris Adams, Storyboard : Gary Damian Thomas, Camera Operator : Marc Spicer, Screenplay : Wayne Powers, Mechanical Designer : Larry Cheng, Animation : Bruce Pearson, Leadman : Russell R. Anderson, Editor : Frank J. Urioste, Still Photographer : Merie Weismiller Wallace, Producer : Akiva Goldsman, Art Department Coordinator : Beth Bajuk, Standby Painter : Anthony Gaudio, Aerial Coordinator : David Paris, Production Accountant : Armando Amador, Visual Effects Editor : Scott Balcerek, Executive Producer : Jonathan Schwartz, Assistant Art Director : Jonathan McKinstry, Set Medic : Sarah Catizone, Makeup Department Head : Jeff Dawn, Post Production Supervisor : Ilyse A. Reutlinger, Screenplay : Duncan Kennedy, Production Sound Mixer : Tim Cooney, Stunt Coordinator : R.A. Rondell, Digital Effects Supervisor : Simon Giles, Electrician : Matt Buchan, Editor : Derek Brechin, Transportation Captain : Hugo Chew
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Schlagw�rter: shark attack, shark, alzheimer's disease, killer shark, no opening credits,
